Tag Archives: Music

An evening at Vienna’s Central Cemetery

It was meant to be a search for the final resting places of music legends Schubert, Brahms and Mozart. In two hours, however, the Central Cemetery in Vienna gave us all the trappings of a horror flick with a surprising cast of characters. No, they weren’t the ghosts of music past. 

It all started quite harmlessly. We had earlier visited the St Marx Cemetery that once contained the remains of Wolfgang Amadeus Mozart and now just had a representative grave. 

 It seemed only right that we follow the trail of his remains, which were resting at the city’s largest cemetery, Vienna Central Cemetery or Zentral Friedhof. His grave was moved in 1891 on the occasion of his 100th death anniversary. Another attraction was the fact the cemetery was home to the graves of over 2.5 million souls. 

There we were, having braved a 40-minute tram ride to the cemetery, situated on the outskirts of the city at Simmering, on a cold and wet evening. On entering, we perused the map, neatly divided and numbered into sections. There was no mention of the grave we were out to find so we decided to start walking, hoping the memorial would be conspicuous enough to spot. Spoiler alert: it wasn’t. 

The oldest and largest cemetery in Vienna, much like the rest of the city, is pleasing to the eye. Every grave was different and more intricate than the rest. We spotted the normal angels and religious figures gazing beatifically down; statues of children clutching toys and pets as if they were frozen in time (creepy, yes); canopies shielded scenes from history; busts of people; They were creepy but we couldn’t help admiring the artwork; many tombstones also had the names of the architects who built them. 

Aside: History lesson  The cemetery was built in 1870 and opened on All Saints Day in 1874. It is quite interdenominational – houses a Protestant cemetery, a Muslim burial ground, two Jewish cemeteries, Russian Orthodox Burial Ground – which caused much controversy at the time. At 620 acres, it is the largest in Europe and the dead population is believed to be more than the actual population of Vienna! 

The cemetery was empty but for us, and another couple who walked ahead, frequently taking detours to hunt among the rows. We stuck to the main path, losing them in the bargain, and 40 minutes later, couldn’t find anything; even the tombstones had begun to lose their charm. 

We were ready to give up and return – the light was fading and a slight drizzle had begun – when we spotted the church. It suddenly struck us that the most important graves would be around the structure and so set off towards it. Our hunch proved right when we stumbled on the Music Graves, and there were the souls we had come to see. 

IMG_20170418_192454586

In the centre was Wolfgang Amadeus Mozart; to the left was Ludwig van Beethoven, to the right was Franz Schubert and a little further away, Johannes Strauss and Johannes Brahms. 

Suitably wowed – we were in the presence of geniuses, after all – we turned back. It was only after reaching the gate, half an hour later, that we realised it was shut. We were locked in. (I confess, at this point, I had a moment of terror. I’m not a fan of cemeteries and especially not when it was getting dark and we were all alone in). A few tense moments later, we realised there was a sign for an emergency gate so we started walking back the way we had come, this time taking a short cut through the muddy paths between the graves. 

A few steps later, my friend K (who has been laughing at my attempts at stalking all the dogs I saw during my trip) suddenly said, “I saw a dog here”. We were both surprises, stray dogs don’t exist in most European countries and who would bring their pet to a cemetery. We continue walking and then in the distance, the ‘dog’ appears. It isn’t a dog but a deer and it freezes just like the idiom it gave rise to. We pull out our cameras with as little noise as possible, not wishing to scare it away before we get a shot at it. But, it scampered away. We ran into it again, a few metres away but my squeal of surprise scared it. It seemed alone and we couldn’t spot any other deer or any other animal around, leading us to wonder what it was doing in an empty cemetery. 

We will never know. 

Conclusion: After walking through half the cemetery in the rain, we found the tiny emergency gate and made our exit quickly. We don’t know what happened to the couple, we didn’t spot them anywhere.  

At: Zentralfriedhof, Simmeringer Hauptstraße 234, 1110 Vienna (look for group 32A).

 

[A version of this story was published in Hindu: On the Graveyard shift in Vienna on December 27, 2017]

Advertisements

Rekha Bhardwaj

Rekha Bhardwaj is a lovely person. The kind that will constantly message you apologizing for being late for your telephonic interview because she has lunch plans and got stuck in traffic. It’s a Sunday and you really want to speak to her, so you drop everything else you are doing when she calls. The preparation for the interview is little – there’s an upcoming Sufi festival and she is performing at it. It’s a short interview and you have five questions read, all related to her journey with Sufi, which began with her first album Ishqa Ishqa in 2000.

Then she calls and talks to you for an hour, refusing your requests to call her back.

She may have some beautiful numbers (how soulful is Phir Le Aya Dil?) in Bollywood films but there’s a downside. “Bollywood has become very big and everyone wants you to do something from it. so, even if I’m doing a show that’s pegged on Sufi or classical music, moment you go on stage, after three songs you get a request for Genda Phool,” she says, laughing. “I don’t mind because there are elements of Sufi in all my songs.”

It was but natural that our conversation would turn to Gulzar saab. She considers him her master, her guru, her guide and everything in between. “Earlier, just after I was married, whenever he came over, I used to stay quiet. He would just greet me. I would serve him chai and listen to the two of them talk. But over the years, our relationship has changed,” she says.

“I am fortunate that most of my songs have been written by him. His lyrics are poetry so 60% of my work is already done,” she says. If there’s one song of theirs that he asks for, it is Dil Hoom Hoom Kare and Abhi Mujhe Koi. “He loves my singing.” Then again, who doesn’t?

She even sang a few lines of Phir Le Aya Dil to me and I was in raptures. On a separate note, can every interview of mine end with someone singing to me? 

 

My full interview is here: Sufi with Rekha Bhardwaj